Wideband stereo compressor including side-chaining,
various prefilter options and state-of-the-art over sampling.
A simplified version of Molot GE covering a wide range of colourful compression flavours.
A state of the art wideband dynamic range controller. Perfectly suited for stereo bus compression and other critical applications.
Characterful dynamic range compression with sophisticated saturation, creative tone control, and a snappy peak limiter.
A dynamic equalizer in parallel configuration. Precise tone control paired with powerful dynamics processing.
The Gentleman's Edition offers additional bands, deeper control over dynamics, equal loudness functions, smart operations and more.
The Gentleman's Edition adds several features such as support for equal loudness workflows, frequency dependent ratio and more.
Crunchy track compressor plugin. Features an easy tuning, valve-warm crunchy sound, and a variety of coloration styles. An excellent choice for sound material of all kinds, especially EDM kick drums.
Audio track and bus compressor plugin. Produces warm, clean, and punchy sound. Features a harmonically-enhanced "vintage" processing mode.
Multiband drum and master track dynamics processing plugin. Compresses, saturates, expands, equalizes, gates, and clips to a high standard.
Mastering compressor plugin with transparent, tight, and punchy sound. An ideal choice for mix compression.
Softest smoothest compressor.
Dial-an-attack, like sidechaining.
Classic 2-buss compressor.
Compressor for accentuating beats and pulses.
Surge and flow dynamics plugin.
It comes from an experiment, where I had to find a way to make a behavior useful: SurgeTide runs on three different compression time constants stacked onto each other like the waves in an FM synthesizer. You don’t usually see a compressor work with the rate of the rate of the rate of change, because for normal sounds and time constants, the result sounds bizarre and unmusical.
Super old school compressor for high definition transients. Adds no fatness, just energy.
Pyewacket is a strange beast. It’s inspired by how much I love the 60s/70s recordings out of London’s Olympic Studios, which had and used Pye compressors on many of my favorite classic and prog-rock records.
With this buss compressor, sub-lows get bigger the harder you drive it.
Instead of passing through the bass, it transforms it in a way similar to FathomFive, and uses that live, active signal to modulate what the compressor sees, where in turn the compressor’s output is modulated by the intense lows.
The Airwindows compressor, malleable into many forms if you know how. Version 4 brings new functionality that has never existed in Pressure before: the stereo version (default for VST, and the Audio Unit that doesn’t specifically say ‘Mono’) uses a special linked mode based on diade bridges in hardware compressors. That’s not to say that it is ‘analog modeling’ because it isn’t. From the beginning, Pressure has been made out of a lucky algorithm with a particular organic, pleasing quality, and part of Pressure4 is knowing what to strip down, how to simplify that algorithm until it lets all the music through.
Compassion is a fully-featured dynamics processor, ready for any dynamic processing on any signal.
Behind the UI lies perhaps the most flexible dynamics engine ever designed. Any channel, any task, Compassion is ready to enable you to get the job done.