One of the original buffer effects, and still one of the best. Version 2 adds the Stutter effect, for further divisions of the loop. It's like glitch-ception! From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today's electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you're looking to add some chance to your production, you've come to the right place!

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.

With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box.

Kombinat's signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full "DJ-style" band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Audio Damage’s painstakingly modeled bucket-brigade delay has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. Dubstation’s intuitive topology brings the mojo of yesteryears hardware delays to your DAW.

Dubstation 2 takes our most popular product and adds a whole raft of new features. With the addition of LFO and saturation controls, Dubstation 2 now fully emulates a vintage bucket-brigade delay, and the new dual mode for separate control over the left and right delay times and ping-pong make it a Swiss Army knife for delay effects.

From tube-style saturation to full-on mangled wavetable distortion, Grind is a true powerhouse of audio warfare that puts the "damage" in Audio Damage.

Make no mistake: this is not a subtle, polite tool. While it can be tamed for usual filtering and saturation duties, at heart it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction.

Grind consists of a wavetable based waveshaper, a saturation/distortion module and a multi-mode filter - each with a myriad of distinct flavors. Grind's tonal flexibility makes it a Swiss Army Knife for sound design.

Eos includes four high-quality, studio grade custom-designed reverb algorithms: Three different plate simulators and the Superhall algorithm for expansive dense and rich reverbs with gentle modulation.

RoughRider compressor is one of the most popular dynamics processors on the planet, with well over a half a million downloads over its decade-plus lifespan, and is in heavy daily use by producers the world over. With RoughRider3, we've expanded the original to include an external sidechain input, the ability to turn off the built-in "warming" filter (the FULL BANDWIDTH button), and much more accurate metering.

ValhallaShimmer is an algorithmic reverb designed for BIG sounds, from concert halls to the Taj Mahal to the Halls of Valhalla.

All of the sliders have been designed to be tweaked in real time and have a smoothed response to avoid clicks when changing settings or automating the controls. At the same time, the algorithm has been highly optimized, so you get a huge reverb sound without straining your CPU.

ValhallaRoom is a versatile, true stereo algorithmic reverb.

It features twelve original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds. Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.

ValhallaRoom has been designed from a psychoacoustic perspective. Instead of creating a simplified physical model of a simplified physical space, Room generates early and late acoustic energy that provides the spatial and phase cues needed to create an “idealized” room impression.

ValhallaÜberMod is a unique mutltap delay and modulation plugin.

With up to 32 modulated delay taps, extensive diffusion and overdrive sections, and parallel slow and vibrato LFOs, ÜberMod creates lush dimensional choruses, classic string ensembles, tape and BBD echoes, nonlinear and reverse reverbs, and a bunch of sounds that defy categorization.

ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s.

ValhallaPlate is our algorithmic take on the classic plate reverberation sound.

Twelve original algorithms emulate the sound and behavior of real world steel plate reverbs, and take the sound into dimensions that physical plates can’t touch.

Valhalla Delay is our take on classic and modern delay and echo units. Tape echo, BBD, old-school digital, pitch shifting – we’ve got you covered.

ValhallaDelay offers the classics, and expands them into new dimensions, with the unique Ratio and Quad delay styles, the Ghost mode (which adds frequency shifting), and a powerful diffusion section that can create anything from smeared echoes to ethereal reverbs.

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance, but is also the most versatile channel strip available due to our exclusive FlexiPath™ routing, which allows processors to be ordered based on desired workflow.

Precision Time Align is a high precision, sub-sample delay that can slide a track forward or backward in time. It will help you get perfectly synchronized double-tracked recordings and significantly eliminate timing anomalies and phase issues from your mix on multi-mic'd drums, vocals and instruments.

Introduced in the early 1970s, the Omnipressor® was the first dynamics effects processor of any kind. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by John Paul), the Omnipresssor made a host of effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing.

The Omnipressor plug-in is a faithful emulation of the "black-face" unit and is popular among some of the world's leading producers and engineers as a dynamics-modifier with variable expressive controls of all aspects of a signal's dynamics. The Function control allows you to set compression and expansion ratios over a wide, continuous range from extreme expansion to infinite compression and beyond - dynamic reversal which reverses a sound’s envelope, making loud sounds quiet and quiet sounds loud.

Released in 1972, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades. Modeled on the original hardware unit, the Instant Phaser Mk II plug-in accomplishes the same legendary sound with all the analog personality, smooth modulations, and inherent musicality. Its capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal.

The Instant Flanger Mk II brings the great sound of vintage tape flanging to your plug-in toolbox. An authentic emulation of the original 1975 studio rackmount, the Instant Flanger was famously used on David Bowie’s “Ashes to Ashes” and Cyndi Lauper’s “Time After Time." A truly versatile tool, engineers and producers have used it for stereo sweetening, subtle modulations, double tracking, and extreme flanging effects.

The H910 Harmonizer® was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. Use the H910's pitch changing ability to create specific musical intervals and harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds and drone effects using self-oscillation, delay, and anti-feedback.

UltraReverb brings you our best reverb effects from our most prestigious hardware products and combines these with full multi-effect capabilities all within a single plug-in. Create acoustically natural or other-worldly environments with 9 reverb algorithms including Plates, Halls, Chambers and Ambience. Our most comprehensive reverb plug-in, UltraReverb emulates every aspect of the sound of a real physical environment – from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. Control the structure of the reverb by fine-tuning the controls - including PreDelay, Decay, Room Size, Diffusion, and Pre/Post EQ.

Developed with legendary producer, musician, and engineer Tony Visconti, Tverb provides an extremely customizable room reverb with some unique techniques and features. Within this virtual room (modeled on the legendary Meistersaal at Berlin’s Hansa Tonstudios) you can mix three virtual channels: one main mic with subtle ambience and two moveable mics capturing the lush room reverb.