ReaLearn is a VST instrument plug-in for the Digital Audio Workstation REAPER which works in REAPER only. Its purpose is to improve REAPER's MIDI learn capabilities and add MIDI feedback (e.g. via LEDs and motorized faders). If you frequently need to map MIDI controller elements like knobs or switches to REAPER functions such as FX parameters or actions, ReaLearn might be useful for you.
ReaPack is a package manager for REAPER, the Digital Audio Workstation.
Discover, install and keep up to date your REAPER resources including ReaScripts, JS effects, extensions, themes, language packs, templates, web interfaces and more.
Out-of-the-box access to more than 1,300 REAPER resource packages including scripts, effects, extensions, themes and language packs.
Explore, touch, and transform sound with this unique interface for granular synthesis, a technique that involves the superposition of small fragments of sound, or grains, to create complex, evolving timbres and textures.
Borderlands emphasizes gestural interaction over knobs and sliders. Create, drag, and throw pulsing collections of grains over a landscape of audio files, or use the built-in accelerometer to sculpt sound with gravity.
apeMatrix is a unique AU/IAA routing tool that gives you total control over what you want to do and how you want to do it
A personal interpretation of the legendary Analog Synthesizer by Eugenio Giordani
Up to 2048 Spectral Delay Lines with feedback and up to 2048 Brick-wall filters
Advanced Cross-Synthesis Hybridizations with envelope preservation and phase-sync processing
Sophisticated Biquad/Cascade filters Equaliser
Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company
Multilevel Interactive Sound Synthesizer, a tribute to John Chowning's Frequency Modulation technique applied to audio synthesis
All time-domain varieties of granular synthesis: Grainlet, Trainlet, FM, time/pitch shifting, time/pitch jittering, Live Input manipulation etc...
Designed for asynchronous sound file granulation, a genuine granular playground able to generate a wide range of usual and not so usual effects
Multimorphic sound processor which contains a synth, a varispeed stereo sample player, 9 time domain effects, 6 spectral effects, 7 slots for external audio application, and nearly 200 LFOs that can modulate each parameter
Dual low-pass/high-pass 24/48 dB filter, with resonance and the exclusive Overlap parameter
Audio mangler, network of delay lines is continually granulated and modulated, producing a labyrinth of echoes
Feedback Delay Network (FDN) Reverb Effect, which can create nice reverberated ambiences, from small rooms to huge buildings
Reverberator with Glissandos simulating a room gradually changing its shape. It is an expanded the James McCartney 's algorithm
UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!
Most reverbs are earth-bound and constrained by the physics of the real world. Our Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allows it to really shine on guitars, strings and pads. At small sizes those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.
Luscious clouds of reverb and otherworldly delays.