Axon 2 is a drum synth driven by artificial intelligence. (Well, "intelligence" might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice.

Tuning Workbench Synth is a synthesizer which lets you experiment with virtual tunings in realtime, allowing you to edit mappings and tunings and hear a synthesizer change as you adjust individual notes.

Take our classic Liquid through-zero flanger, Fluid multi-mod chorus, Vapor diffusion chorus, and FreqShift frequency shifter (from our Eurorack hardware line) and put them all in one plug-in, and you have a true powerhouse of stereo-insert modulation.

To create Panstation, we started with a loose model of the venerable Drawmer M500's panning engine, then added the counting features from the Audio & Design PanScan (probably the most famous vintage autopanner, and the "secret weapon" of many well-known producers.) The result is an autopanner plug-in that is second to none in both feature set and sound.

Enso can record up to 10 minutes of stereo audio (at 48kHz sample rate; 5 minutes on iOS) and play it back in both directions at any speed, with one-button control to duplicate your favorite looper pedal workflow.
Its play and record heads are entirely decoupled. This means you can play in one direction and speed, while recording in another direction and speed. Make amazing and unique looping beds with unlinked overdubbing.

PhaseThree is a detailed model of the MuTron Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do.

The result is a painstaking digital copy of the original unit, down to the unique sweep of its LFOs. With the latest version, we have departed from the original and added 12-stage phasors in addition to the six-stage versions found in the hardware units. (We feel that 12-stage phasors have a more modern sound that people expect in a current phasor, and that the six-stage versions in the original were somewhat lacking to the modern palette.)

Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone's first analog delay unit, without ever having to change batteries!

As anyone who has owned this unit (which is just about everyone...) knows, it was actually an analog delay, not a reverb at all, and we've done our best to exactly replicate the sound and quirks of the original. We've even modeled the distortion that occurs by running a line signal in to the mic inputs.

ADverb2 is a full update of our classic ADverb (originally named "Reverence") vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.

Discord4 is the latest version of our stereo pitch shifter. Originally modeled on the H910, it has long since become its own effect and a studio standby. The all new version 4 includes major additions to further stretch its capabilities.
It contains three unique pitch-shifting algorithms: The P1 Vintage mode, modeled on the Eventide H910 and H949), the P2 Clean mode for more modern shifting sounds, and the G2 Granular mode for experimental effects.

Filterstation2 is the Audio Damage take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say "indispensable") by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer's toolkit.

The Audio Damage 914 Mk 2 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer 914 module, and a major upgrade to our original 907A plugin.
With its capability to create complex and unique timbres, 914 Mk 2 is an excellent tool for the sound designer's palette, adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality.

One of the original buffer effects, and still one of the best. Version 2 adds the Stutter effect, for further divisions of the loop. It's like glitch-ception! From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today's electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you're looking to add some chance to your production, you've come to the right place!

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.

With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box.

Kombinat's signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full "DJ-style" band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Audio Damage’s painstakingly modeled bucket-brigade delay has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. Dubstation’s intuitive topology brings the mojo of yesteryears hardware delays to your DAW.

Dubstation 2 takes our most popular product and adds a whole raft of new features. With the addition of LFO and saturation controls, Dubstation 2 now fully emulates a vintage bucket-brigade delay, and the new dual mode for separate control over the left and right delay times and ping-pong make it a Swiss Army knife for delay effects.

From tube-style saturation to full-on mangled wavetable distortion, Grind is a true powerhouse of audio warfare that puts the "damage" in Audio Damage.

Make no mistake: this is not a subtle, polite tool. While it can be tamed for usual filtering and saturation duties, at heart it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction.

Grind consists of a wavetable based waveshaper, a saturation/distortion module and a multi-mode filter - each with a myriad of distinct flavors. Grind's tonal flexibility makes it a Swiss Army Knife for sound design.

Eos includes four high-quality, studio grade custom-designed reverb algorithms: Three different plate simulators and the Superhall algorithm for expansive dense and rich reverbs with gentle modulation.

Automaton is a unique look at buffer effects, allowing you to experiment with artificial life within your DAW. With four separate effects (Stutter, Modulate, Bitcrush, and Replicate) driven by a cellular automata sequencer, Automaton is capable of adding subtle seemingly random fills and "humanizing" effects, but if you like, you can crank the sequencer up to eleven, and watch as your DAW becomes a petri dish while Automaton makes complete hay of the track you've inserted it to.

RoughRider compressor is one of the most popular dynamics processors on the planet, with well over a half a million downloads over its decade-plus lifespan, and is in heavy daily use by producers the world over. With RoughRider3, we've expanded the original to include an external sidechain input, the ability to turn off the built-in "warming" filter (the FULL BANDWIDTH button), and much more accurate metering.

ValhallaShimmer is an algorithmic reverb designed for BIG sounds, from concert halls to the Taj Mahal to the Halls of Valhalla.

All of the sliders have been designed to be tweaked in real time and have a smoothed response to avoid clicks when changing settings or automating the controls. At the same time, the algorithm has been highly optimized, so you get a huge reverb sound without straining your CPU.

ValhallaRoom is a versatile, true stereo algorithmic reverb.

It features twelve original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds. Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.

ValhallaRoom has been designed from a psychoacoustic perspective. Instead of creating a simplified physical model of a simplified physical space, Room generates early and late acoustic energy that provides the spatial and phase cues needed to create an “idealized” room impression.