Compressor for accentuating beats and pulses.
Literally control voltages for digital workstations.
Mastering highpass to set by ear only!
Mid/side conversion utility plugins.
Wobbly and weird!
Design your own tone-shaped TPDF Dither.
Like PaulDither, but more so.
Musically this filter has tone for days.
A highpass filter on just the side channel, and one that would go up the full range from subs to highs, so at full crank it’d be purely mono.
In normal use, this ‘dither’ (in fact it’s not a dither at all: it’s the Benford realness stuff from Naturalize, run with a noise shaper, and all the added random noise taken OUT) will make any fixed-point output sound like infinite resolution. It has a switch for 16/24 bit operation (defaults to 24) and a ‘DeRez’ control where you can get low-bit NJAD audio if you like, or if you want to audition its noise floor behavior.
This Tremolo uses saturation and antisaturation curves like you’d find in Density, and does the tremolo with that. It’s the same trick I use on the compressor ‘Pyewacket’. The result is, the loud parts develop a density and thickness mere volume won’t give you, and the lean parts hang on to a skeletal form of the transient attacks so your music comes through.
A tube recording console type tone coloring.
More of a transistory, rock desk tone coloring.
Emulates power supply limitations for analog modeling.
Emulates power supply limitations for analog modeling.
Soft frequency-doubling-and-tripling waveshaper.
Deterministic dither uses Benford Realness calculations for each sample.
The testbed for the TPDF-based dithers. Flanger dither!
TPDF variant with noise like reel-to-reel tape.
Spatial positioning and clarity dither.